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The scene of Tommy cleaning up the burnt child thrown from the car was gripping in it's patience both with how it was framed and in it's willingness to let the scene breath without little or no cuts. The journey Tommy takes to get to the final scene is allowed to develop at it's own pace as well. The long drinks of whiskey followed by the third degree Tommy gets from his ghosts lead to the self-inflicted damage of the torch. (Was that a cadaver in place of Tommy's leg, or did they do that via CGI?) The ghost of Tommy's Da points out, "The only thing gets through that thick Irish skin of his is fire." It makes sense that Tommy is a masochist, given his exploits, but it was still jarring seeing him take that turn. The pain seems to work for Tommy, as he finds a way to feel something again -- even dry-humping Sheila on his wound. I don't see Tommmy putting on a happy face for the cancer kids without him experiencing some sort of change in feeling, as the earlier scene points out, Tommy's lack of feeling is what makes him able to clean up the burnt kid.
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You know what else won't last? Lou's Civil War chess set and coin collection. Oh, Candy... I hope I'm wrong, but given the rest of tonight's plot, I have to assume Tommy burning himself is a parallel to Lou figuratively burning himself as well, by letting Candy back in.
Enjoyed what appears to be the final musical number with Steven Pasuale, but it's definitely time to move on now, and, even if it felt awkward at times, it was nice seeing Teddy and Maggie's stories finally intersect with the Tommy's (even if somewhat peripherally).
Song: "New York" - Cat Power
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