Jansch, Poster, The Squid and the Whale

Play it: Rssmbld Sndtrck The Squid and the Whale
Play it: Noah Baumbach's Favorite Albums for Dusted Magazine (published originally here)

At first glance, one might not be surprised at the quality of songs on the soundtrack to The Squid and the Whale, given that Wes Anderson (The Life Aquatic) produces and co-writes the film. But it's time to start giving music supervisor Randall Poster some credit. This is the third project he and Anderson have worked together on, the previous two being movie and soundtrack greats Rushmore and The Royal Tenenbaums. Where the previous two films had a sort of ambiguous time setting (leading to some interesting music choices to blur time even more,) The Squid and the Whale has a setting firmly placed in the 1980s. Poster (along with Anderson and director/writer Noah Baumbach [reader Sean points out NB has more to do with the choices then I'm giving him credit for... he's probably right.) doesn't rely on the eighties necessarily for inspiration, finding it instead with the folk music of the late sixties (Bert Jansch) and 1970's (Loudon Wainwright III.)

As I've mentined before, Jansch is ripe for a revival ala Nick Drake, and while I don't think this soundtrack will do it, having three songs in the release certainly a push in that direction. His influence on folks like Drake, Donovan, Neil Young and Jimi Page makes him an influence on countless more indirectly (Young even went so far as to say "Jansch did for the acoustic guitar what Jimi Hendrix did for the electric".) Loudon Wainwright also has a couple songs, and, almost as a rebuttle (the film centers on divorce after all) Wainwright's ex-wife and sister-in-law (Kate and Anna McGarrigle) have a track as well ("Heart Like a Wheel".) Through in some John Phillips ("Holland Tunnel") and you've got more dysfunctional family fun! Dean Warhem (formerly of Luna, Galaxie 500) provides the original score songs, written much in the style of these late 60's to mid-70's scribes, even covering Pink Floyd's "Hey You" for the release (the Roger Waters-written original was in the movie.)


The 80's do get some representation, though, as on the release there's the great The Feelies ("Let's Go" first and currently only song in Rhapsody library)to go with The Cars "Drive" and Blossom Dearie's infamous Schoolhouse Rock turn "Figure 8." For the rssmbld sndtrck, I've added two more bits from the era that were in the film (but not in the released soundtrack.) One is the ubiquitous "Run To You" by Bryan Adams, and the other is that pantheon of 80's soundtrack music "Love on a Real Train" or, better known to folks as "that theme song from Risky Business" (by Tangerene Dream.)


But getting back to Randall Poster, it's interesting to note that got his start on the Larry Clarke movie Kids. The film's score featured such diverse acts as John Coltrane, Slint, A Tribe Called Quest, Sonny Rollins, Brand Nubian and Lou Barlow vehicles Sebadoh and The Folk Implosion. Meanwhile, the released soundtrack for Kids put together by Barlow, explaining why so many of his songs appear on the album (and not in the movie.)

Since that time he's done, he's done some pretty interesting soundtracks for movies, here are just a few of the films (in chronological order) that he supervised:
I Shot Andy Warhol
SubUrbia
Velvet Goldmine
Rushmore
Dogma
28 Days
Meet the Parents
The Royal Tenenbaums
Old School
The School of Rock
The Life Aquatic with Steve Zissou
The Aviator
Jarhead

In the coming days (weeks?) I'll pull give some of these the ol' Rssmbld Sndtrck workover.... how 'bout we call them Poster posts?

Previously:
Freak Folk Beginnings (Bert Jansch)

tags: playlist, music, movies, soundtracks, wes anderson, randall poster, bert jansch, the squid and the whale

Freak Folk - Beginnings

Freak Folk Beginnings/Influences

The Rhapslibrary recently got some great additions of a genre that has become to be known as 'freak-folk.' It's an unfortunate genre name, as it poorly dumps some folks together that are either not 'freak' or 'folk,' but it's a name that has stuck. When you say it, artists like Devandra Banhart, Animal Collective and Joanna Newsom are the first that come to mind. But the main waver of the freak flag is young folk artist Devendra Banhart, and truly one of the nice things about Banhart is he's never shy about naming his influences, and so we start with these influences/inspiration/beginnings.

While Nick Drake is considered "a saint," according to Banhart, their living inspiration seems to truly be Vashti Bunyan, who only released one album (Just Another Diamond Day) but has seen a comeback of sorts, recently appearing on songs with Banhart ("Rejoicing in the Hands") and Animal Collective ("It's You.") Bunyan's one album was produced by Joe Boyd, who also produced British folk artists Fairport Convention, and the Incredible String Band. It also featured arrangements by Robert Kirby who was also Nick Drake's arranger as well. Other folk/psychedelic-folk artists cited include the finger-pick stylings of John Fahey and Bert Jansch, the lyrical style of early Marc Bolan (Tyrannosaurus Rex,) and Donovan, vocal style of Karen Dalton, and worldly influence of Ali Akbar Khan and Ali Farka Toure. These artists danced around the margins of folk, not playing to the political/protest or the traditional styles that were popular at the time. Nick Drake is often cited, but it's his late recordings that sound more like an influence, at a time when his depression was so consuming, he could barely speak a full sentence.

Karen Dalton is another one album artist who's got a lot of cache with the new movement. She was in with Bob Dylan and Fred Neil and released an album mostly covering their material, making it her own, but she's still mostly unknown today. Says Banhart:

I've really got no idea why Karen Dalton is unknown. She is one of the most amazing musicians in the universe. Forget about the amount of soul she's got -- she's got the most far-out, fucked up, amazing soul. She's the most soulful singer in the universe. But the technicalities...her timing and her phrasing is perfect. It's beyond perfect. You can't even try to imitate it because it's like beyond, it's brilliant.

Bert Jansch's is another terribly under-appreciated artist and guitarist. His angular, interlacing fingerpicking influenced Neil Young, Nick Drake, and Jimmy Page, with Young even going so far as saying that Jansch did for the acoustic guitar what Jimi Hendrix did for the electric. When the new appreciation for Nick Drake started 5+ years ago, it made sense that Jansch's work would follow, but he still remains unknown (while Clapton still has God status? I ask you, where's the justice!) John Fahey, on the other hand, while just as innovative and talented, was a bit odd and it's no surprise that he's relatively unknown. His tastes ran from Native American to Raga, to Blues and back (and through, and all together...) A great find for the discerning ear, as he's got a huge catalogue of music to consume.

Marc Bolan's early work in the folk-duo Tyrannosaurus Rex is barely recognizable to it's later electric glam incarnation, T.Rex. Bolan was so into Lord of the Rings at the time, he interwove it's characters and story line into many of his songs (even naming his bandmate Steve Peregrin Took, after the Rings character.) After few releases and a lineup change, Bolan (like fellow psychedelic folkie David Bowie) moved into glam. Donovan, on the other hand, had more conventional pop leanings, but in much of his early recordings (and some of his later psychedelic work) the lyrics, like Bolan's, were out there.

Non-western influences abound as well, especially from the East in the form of Ali Akbar Khan. A master of the sarod, a 25-stringed, lute-like, Indian instrument, Khan is one of the Eastern world's greatest musicians. From West Africa, Ali Fraka Toure was described as "the African John Lee Hooker" so often both Hooker and Toure must've cringed after awhile. But he's that good, and that important to folk music.

This combination of artists together make for a very interesting legacy, one that was picked up in the 2000's and is now the phenomenon that is Freak Folk.

Next: The current Freak Folk movement.

tags: playlist, music, folk music, freak folk