Showing posts with label dan auerbach. Show all posts
Showing posts with label dan auerbach. Show all posts

Friday, August 06, 2010

Friday Night Lights "Thanksgiving": Deep-Fried Turkey

The fourth season of Friday Night Lights has come to an end, and even with a few flaws in the finale, it solidifies itself as the best network television drama we saw all year.

Is it so bad that we kind of knew how it was going to end for the Lions? I mean, you know you're getting turkey for Thanksgiving, but since we spent the season getting deep-fried like Buddy's turkey, the result tasted so much better. From the outset ("East of Dillon"), it seemed inevitable that Coach Taylor would mold this underdog of a team together to enact revenge on the McCoys and those Panthers who had forsaken him. It was an unlikely win, to say the least, but we had to crawl over broken glass to get here, so the victory, however improbable, had to happen -- we earned it. And LanceLandry had to make that 7246 yard field goal -- it was the whole reason Eric inexplicably turned him into a kicker (we'll just call that Checkov's foot).

This was an ambitious season, to say the least, with the writers finding a balance between introducing all the new characters, a new setting, giving proper goodbyes to some characters while giving face time to the beloved characters -- all done in a compressed 13-episode season. It's understandable, then, that many stories were introduced and left incomplete (Matt's pantsless svengali artist, Big Mary's return to football, Stan's gay bar revelation, etc.), and many back stories left to our imagination (Vince and Jess, Luke's parents, Jess' father). The great Jesse Plemons was underused as Landry, but was redeemed with the game winner. Similarly, the Tim and Becky relationship was missing something, but when Tim hands her the snow globe for safekeeping, all is forgotten.

Speaking of Tim, his selfless act of taking it all on his shoulders may feel a bit convenient for Taylor Kitsch availability issues with season five*, but all the scenes with Billy as a father helped make this plausible. Tim doesn't want to see his nephew grow up with out a father like Billy and him. The scene of them saying goodbye is all the more heartbreaking looking back on Billy's heartfelt toast at the Taylors for Thanksgiving. Seeing Tim toss his #33 to Billy reminded me there was a nice symmetry with the opening episode, where Becky asks "Didn't you used to be Tim Riggins?" When the cops arrived last week ("Laboring"), they greeted him with "Aren't you Tim Riggins?" to which he replied, "Used to be." The football hero is gone, only the brooding man child remains.

*It's worth pointing out, that season five -- and the series, for all intents and purposes -- just recently wrapped production.

One inevitable turn that didn't feel earned, though, was Tami Taylor's transition from West Dillon principal to East Dillon guidance counselor. We pointed out the season three finale parallel last week, with Tami in Coach's shoes this time, and it played out mostly as expected. But even forgetting the large pay cut she faces, how unlikely is it that a school district would agree to making her a guidance counselor for the very school she's being accused of giving bad guidance? We all knew she'd have to end up at East Dillon somehow, like everybody else we care about, but this felt awfully forced. If anything, she should be forced -- more like releived -- from Panther land for cheering so loudly for her husband's Lions. (Who can blame her, though, right Slammin' Sammy?)

So as we say goodbye to another season, complete with a fitting The Wire-like montage to a Steve Earle tune ("Goodbye"), it's worth thinking about the next, and last, season. All the team should be back, except Landry (unless they shave another year off him), so might we expect a return to the state championships for Coach? We don't yet know the fates of Landry and Julie, but they'll surely get their goodbye arcs. The good news is that Adrianne Palicki (Tyra), Taylor Kitsch (Tim), Zach Gilford (Matt) and Scott Porter (Jason) will all make appearances, helping to bring the series full circle. Something to look forward to, even as we lament the end of the series.

Even though you knew the bullet points were coming, I hope they feel earned:
  • There was a nice bit of music symmetry with Vince's run for a touchdown being backed by Obits' "Talking To The Dog", a song which we heard when we first meet Vince running away from the police.
  • I feel like we'd already said goodbye to Matt, so it was surprising to get another chance. Part of this goodbye, though, was on Julie's terms (point of deflowering or not).
  • Jesse Plemons did a great job riding the many emotions that Landry went through: Pride (the Crucifictorious demo -- which we need to hear), heart break, anger, elation and anticipation (Chicago here we come).
  • Michael B. Jordan (Vince) did so much with what little time he had on screen. "I don't think I'm the one who can give it to you." And yet give he does.
  • Gracie Belle did finally get herself some pants.
Playlist: Friday Night Lights - Episode 4.13
1. "Remember Me As A Time Of Day" - Explosions In The Sky [download]: Coach Taylor gives speech
2. "Sway" - Heartless Bastards [download]: Thanksgiving day practice
3. "Glittering Blackness" - Explosions In The Sky [download]: Pre-game montage
4. "Lonely, Lonely" - Taking Back Sunday [download]: Game starts, McCoy throws TD
5. "Talking To The Dog" - Obits [download]: Vince runs in for score
6. "Just Got Paid" - Mastodon [download]: Panthers come back
7. "It Ain't Gonna Save Me" - Jay Reatard [download]: Lions respond
8. "Evil Eye" - Fu Manchu [download]: Beginning of second half
9. "Sea Of Japan" - Earl Greyhound [download]: Luke gets into the game
10. "Make It Take It" - Amanda Blank [download]: Luke is out of the game
11. "Goin' Home" - Dan Auerbach [download]: Slammin' Sammy talks about the game on the radio
12. "Goodbye" - Steve Earle [download]: Final montage starting with Tim ending with Matt

Previously; "Laboring" (Episode 4.12)

Friday, May 28, 2010

Friday Night Lights "A Sort of Homecoming": Wingmen

It's a high praise to the writers of Friday Night Lights that even with a practical episode like "A Sort of Homecoming," which is meant to set up next week's tear-jearker ("The Son"), they still managed to make a vital episode in the show's canon.

Part of what makes "A Sort of Homecoming" work, in spite of its perfunctory purpose, is how a couple of interesting themes tie the episode together. First is the odd duck "wingman" theme, where one character is accompanied by another in a surprising way. The alpha-male pissing match carried over from last week ends with Luke joining Vince in a jail cell; Julie provides support for Devon at "a gay place"; and my favorite -- Riggins helps Becky pick out a pageant dress, like some Texas football-themed episode of Project Runway. There were even a couple of throwback wingmen -- Matt inviting himself to go hunting with Riggins (loved the #33 embroidered camouflage hat), and Buddy finally getting on board and joining Coach in creating the beginnings of an East Dillon booster club.

The other fancy bow tying the episodes together was repeats of "the shoe on the other foot" situations. Tami getting agitated while listening to talk radio bad-mouth her on air was an awful lot like the earful Coach would get at times. But while Coach takes his frustrations to the bar, Tami knows chocolate will suffice (someone's been reading too much Men are From Mars, Women are from Venus). Meanwhile, watching Julie fill out her college application forms seemed like a reversal of late last season, when Matt got accepted to The Art Institute of Chicago. Julie seems to have forgotten, though, as she's oblivious as to how her list of schools might make Matt feel. (At least throw in a school near Chicago, babe.) It's just another domino falling towards the impending Matt Saracen (Zach Gilford) exodus.

If Julie's thoughtlessness about their future wasn't enough, the final moments of the episode provide a glimpse of what could be the catalyst for Matt finally getting out, and what a moving scene it was. Backed by Jose Gonzalez' brilliant cover of "Teardrop," a song who's tension is famously used as the theme song to House (in it's original Massive Attack form). We don't get to hear Grandma Lorraine's cry, making the sight of her breaking down even harder to take. (There's more where that came from next week.)

Finally, the scenes with the East Dillon Lions alumni were great, not only for their poignancy at the pep rally (not that drawing "pride" from Lions hasn't been done before), but also for dealing with the racial tension inherent in having the Taylors step in like Phil Drummond in Diffrent Strokes (RIP Gary Coleman). Just like Vince and the $20 bill from "After the Fall," the show is letting us know it's not going to be that kind of story. There has to be participation from the community to make it work, not just the Taylors waving their white magic wand.

Time to bite the bullet points:
  • Most will associate this week's title ("A Sort of Homecoming") with the similarly titled song by U2, but Bono himself borrowed the title from Jewish poet Paul Celan, who wrote: "Poetry is a sort of homecoming." The East Dillon Lions 'coming home' is similar to the song, where war refugees come back home and find their war-torn surroundings quite different than how they left it.
  • We have our first Crucifictorious reference of the season! Shame on Jess for turning off our favorite Christian-Speed-Metal-turned-Indie-Rock band.
  • Riggins reaction to Becky asking "Is that a portrait neckline?" is classic.
  • "I've kind of been down that road before. A girl asks me to do something and I say 'yes' then all of a sudden people are calling me a word that I don't like to use." Is that word is 'murderer?' Oh, that's right ... season two never actually happened.
  • Seeing Stan at the gay bar was right up there with the WTF reveal of Rawls in The Wire. At least here we get some follow up.

Playlist: Friday Night Lights - Episode 4.04
"Forgotten" - Windsor For The Derby [download]: Tami drives to work listening to talk radio bash her
"White Knuckles" - OK Go [download]: Practice
"Untitled Demo Song" - Crucifictorious! - Landry picks up Jess& friends
"Press It Up" - Sean Paul [download]: Jess switches Landry's stereo to radio; Jess brushes off Vince at party
"When The Devil's Loose" - A.A. Bondy [download]: Coach invites Buddy over for dinner with East Dillon alumni
"Powerful Love" - Chuck and Mac: Coach asks Virgil about hosting pep rally
"Lady Luck" - Richard Swift [download]: Taylors host alumni; Buddy shows up
"3" - Britney Spears [download]: Devon & Julie at 'a gay place.'
"Keep It Hid" - Dan Auerbach [download]: Matt's rifle is confiscated by Tim; Tami loses it after hearing more talk radio
"Teardrop" - Jose Gonzalez [download]: Landry plants on on Jess; Lorraine & Shelby receive some bad news; Matt finds out from Julie

Previously: "In the Skin of a Lion" (Episode 4.03)

Tuesday, February 10, 2009

Now Downloading: New Releases 02.10.09

Been awfully busy, missing the last couple weeks worth of new releases -- which really can be boiled down to releases from J Tillman, Doug Randle and The Pains of Being Pure at Heart. This week we've got the latest releases from Lily Allen, Dan Auerbach (Black Keys,) Charles Spearin, Sam Bisbee, Golem and Miranda Lee Richards.

Playlist: New Releases 02.10.09



Lily Allen - It's Not Me, It's You
Stream / Purchase [mp3]

Lily Allen - It's Not Me, It's YouIt's been more than two years since Lily Allen exploded in the UK with her debut (Alright, Still,) and a lot has happened to her since then. Courtship, pregnancy, a miscarriage, a break-up, and a lot of messy tabloid fodder. Speaking of tabloids, in the interim fellow retro-soul chanteuse Amy Winehouse climbed a mountain of fame, and then tumbled down the other side; while several other artists started on the same well-traveled path (Winehouse clones Adele, Duffy and Estelle; Allen clone Kate Nash). Allen was good to wait, then, as the field was crowded in 2008, and with It's Not Me, It's You, she's making sure that no one confuses her with the followers. Instead of playing hopscotch with different producers like last time, Allen sticks with the Bird and the Bee's Greg Kurstin, which is both good and bad. While it makes for a more consistent album, the dynamics and spontanaeity is missed. Allen calls this a more mature effort, and since she's no longer outside the tent pissing in, the lyrics take a bit of a look inward. While she does takes on more weighty subjects, too often her lyrics fail in the deep end ("Him"). She works a bit better when her sunshiney chorus is backed up with the throwing daggers, like on "Not Fair" or "Never Gonna Happen," and even more when she combines the two ("The Fear," "Everyone's At it",) a fine line the album does a good job of walking (for the most part). It's a fun release, and my four-year old Eli is happy there's more Lily... though this time we're going to have to find the clean version, if only for the incredibly catchy (especially for kids) "F*ck You," (Allen's kiss off to George W). Experimented with a trial run, telling him she's singing "Thank You," but E seemed skeptical (rightly so).

Free AOL Album Stream



Dan Auerbach - Keep it Hid
Stream / Purchase [mp3]

Dan Auerbach - Keep it HidWhen you're strongly identified with a band, as Dan Auerbach is with the Akron, OH blues duo The Black Keys, releasing a solo album can be a tricky thing. Too often, the artist flying solo will try to distance himself too far from the band in sound. Auerbach is aware of this, and even made a point on his Nonesuch artist's page to say he wasn't going that route with Keep it Hid. In fact, the first song that made the rounds in advance of the album's release, "I Want Some More," sounded decidedly similar to a Black Keys grinding blues number. Much of the album builds upon the recent BK releases (2008's Attack and Release, 2006's Magic Potion,) not departing too far from Auerbach's bluesy sweet spot, but he does spread his wings on a few songs, like the stripped down opener "Trouble Weighs a Ton" and the soulful "Whispered Words" -- which reminds one that Auerbach was in the process of writing songs for Ike Turner when he died unexpectedly, and most of the music ended up in last year's Attack and Release. Similarly, "Real Desire" sounds like Auerbach had been mining Muscle Scholes' soul inventory, while "My Last Mistake" sounds like a long lost 70's AM radio hit. It's a fully realized effort from half of one of our finest.

Free AOL Album Stream
Download: "I Want Some More" [mp3]



More on the radar (and in the mp3 player) this week:
Charles Spearin - The Happiness Project
Sam Bisbee - Son of a Math Teacher / Free AOL Album Stream
Golem - Citizen Boris / "Tucheses & Nenes" [mp3]
Burning Hearts - Aboa Sleeping
Now, Now Every Children - Cars
Jon Hassell - Last Night The Moon Came Dropping Its Clothes In The Street
Martin Bisi - Sirens Of The Apocalypse
Trouble Andrew - Trouble Andrew / Free AOL Album Stream
Coraline: Original Motion Picture Soundtrack
O Pioneers!!! - Neon Creeps EP
Miranda Lee Richards - Light of X (AOL Stream)
Glen Campbell - Greatest Hits / Free AOL Album Stream
REISSUE
The Beastie Boys - Paul's Boutique (EP)

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