Bumbershoot Day 2: Hole in the middle

Day 2 of Bumbershoot was like the first in that the weather looked grim initially, but held up fine once things got going. Other than that, though, it was quite a bit different. There was a black hole in the middle of the day schedule-wise, but that allowed me to both visit Flatstock, and to scope out the Lost panel (hosted by EW's Doc Jensen) for Monday. By 5:45, though, things got ca-razy, starting with Common Market's vivid set. From there I ping-ponged around the grounds seeing six bands over the next two hours, before deciding to jump into David Cross' set, so I could finally sit down for a bit. Pics to follow (brief recaps to be added piecemeal as time before too long).

Mt. St. Helens Vietnam Band @ Broad Street Lawn stage

MSHVB is a band that is easy to root for, and I always go in hoping for the best, but I find myself wishing they could just rev it up a notch. Visually, they're pretty stoic for the music, with seemingly only Traci Eggleston exhibiting any life, looking like an indie rock Kristen Bell.

Parenthetical Girls @ EMPSFM's Sky Church stage

The indie rock cabaret isn't my cup of tea, but I can see it's appeal to the disaffected youth. It's as if Kurt from Glee fronted an indie rock band of Liza Minelli fanatics. It was a bittersweet set for the band, though, as singer Zac Pennington announced it was their last with keyboardist Matt Carlson.

Common Market @ Fisher Green Stage

The hip-hop band, like The Whore Moans the day prior, saw the Depression as a source of inspiration for their set, but while the Whore Moans lads played out the haves, Common Market took the part of the have nots. Where Satan is the corporate master and all the workers are slaves. Full of rich theatrics, it was one of the highlights of the festival. Covering Leonard Cohen's "Hallelujah" was pretty, but wholly unneeded -- let's have a moratorium on that cover, k?

Vivian Girls at Broad Street Lawn Stage

I heard some complaints about their KEXP set, but on the big stage their reverb-drenched punk-pop-shoegaze mashup sounded delicious. Sure, the guitar playing is a bit sloppy, but it's rock and roll y'all.

No Age at the Exhibition Hall Stage (Rock Star Energy Stage)

This might be my biggest disappointment of the whole weekend. I've repeatedly missed their earlier swings through Seattle due to scheduling conflicts and was looking forward to their set. Maybe it was the cruddy sound of the Exhibition Hall, but the crowd and the band both seemed pretty tired.

Roy Ayers @ Fisher Green Stage

Holy Fuck @ Broad Street Lawn Stage

The naughtily-named quartet from Canada took their Can-inspired spacey jams and made a crowd of thousands move their feet. I so wanted to see them play at the Neumo's after-party, but just didn't have the energy to get there (on foot/bus all weekend). Next time.

David Cross & Friends (pictured Wyatt Cenac, Cross & H. Jon Benjamin as BUMBERCLAP!) at Bagley Wright Theatre

After a long day on my feet I just felt the need to sit down and laugh. Cross always pleases, and while most were expecting either Eugene Mirman or possibly Sarah Silverman to show, seeing Wyatt Cenac and Doug Benson was just as good. And BUMBERCLAP!

Previously: Bumbershoot Day 1: Made of Win

Celebrate Sub Pop's Anniversary on the small screen

Twenty years ago in Seattle, the flannel was plentiful and the music was loud, and at the center of it all was the record label Sub Pop. This weekend, the label celebrates its 20th anniversary and so the story of the Seattle music scene is being retold all over again in the media. Probably the best and surprisingly accurate description of what happened is the Doug Pray documentary Hype!, which was five years in the making.

Hype! is told from the perspective of the people swept up in the middle of the grunge scene, with Sub Pop at the epicenter of both the scene and the film's voice. Not only are there amazing live performances captured, but the film is pretty hilarious, poking many holes in the mythology of the so-called genre. Sub Pop employee Megan Jasper famously sold The New York Times on bogus grunge slang, making up phrases like 'swingin' on the flippity-flop' (hanging out) and harsh realm (a bummer) which the Times printed verbatim ("Grunge: A Success Story," November 15, 1992). Between that and seeing models on the runway wearing flannel at Fashion Week it was inevitable that the anti-market scene was being over-marketed and would phase out soon enough (and in its wake, a chorus of "good riddance"). The film also features footage of the first time Nirvana played "Smells Like Teen Spirit," which has a special place in my heart -- because I was there!

Another great film that indirectly documents Sub Pop's historical rise is the Sonic Youth concert film 1991: The Year Punk Broke. The NY band was one of the first to appear on a Sub Pop imprint (the compilation Sub Pop 100), and befriended several bands on the label, including Nirvana, who they took under their wing on tour in Europe just prior to their (and, in turn, Sub Pop's) breakthrough. Full of great concert footage and oddball humor (see Kurt Cobain mock Kevin Costner from Madonna's Truth or Dare concert film) it captures a moment in time before everything would change, for good and for bad.

Other DVD's that share a part of Sub Pop's history:
Acquired Taste - A collection of videos from more recent Sub Pop artists including The Shins, Iron & Wine, The Postal Service, Sleater-Kinney and Hot Hot Heat
The Murder City Devils: Rock & Roll Won't Wait - An all access, warts and all look at the once popular Seattle punk rock act. Full of drinking, punching, bleeding and of course rocking.
Mudhoney: Live at El Sol - Recent (2007) performance of the legendary Seattle rockers, which beautifully captures singer Mark Arm's lovably ornery humor.
David Cross: Let America Laugh - At the turn of the century, Sub Pop started branching out into comedy, starting with funnyman David Cross, who's albums on the label are a throwback to George Carlin's classics from the 1970's.
Garden State - The Zach Braff curated soundtrack promised to change your life, but it mostly changed Sub Pop's. It was nearly Nevermind: The Sequel as The Shins became huge, and allowed the label to expand it's stable of artists once again.
Flight of the Conchords: Season 1 - Considering they were doing both music and comedy, the label is the perfect fit for this comedic duo to release their music. The series is already a cult hit, and the music's not bad either.