Showing posts with label hayden. Show all posts
Showing posts with label hayden. Show all posts

Thursday, April 09, 2009

Life: "One" plus One = Series finale?

Things are obviously not looking good for the series, so it was with heavy eyes that I watched the season two finale for Life. Did we just see Crews and Reese for the last time? Or will some the series be saved, with I'm calling DirecTV ex Machina, or will USA Network swoop in with a karate chop to the Adam's apple of cancellation?

When I saw that there was only a few minutes left in the episode after Crews got in the SUV with Roman, my biggest fear was a similarly quick and convenient resolution to his sticky situation. And boy was that quick and convenient. Sure, a lot of questions were answered, but it felt a bit rushed and not really laid out very clearly, and while Detective Crews didn't wake up on a rocket to mars, he did seem to wake up to the realization that he's in love with his partner. WTF? Part of what's made their partnership so fascinating is the complete absence of sexual tension, so I have some problems ending the season (series?) like that. I'm hoping that it's a different kind of love we're talking about, the kind that Captain Tidwell can get behind, but we may never find out.

Besides the abridged ending and confusion about Crews and Reese's relationship, the episode had a lot going for it. The great Garret Dillahunt always brings something to the table, and having that final face-off with Roman in Crews' orange grove made for great series symmetry, since we last visited their in the pilot. They even used Roman to tie up some loose ends from season one, literally killing off the documentarian (who was more or less dead anyway, as far as the series structure was dictating by now,) and having him tell Danni that he killed off her missing father. Ok, that again was pretty convenient. The final episodes all suffered from Sarah Shahi's pregnancy, but NBC was already having problems with all their series, so I don't think we can blame it all on the baby bump, but her absence was certainly felt.

One suggestion that the internet is a buzz with is that Life should move on to USA Network, where characters like Crews are always welcome, but that would require some serious budget cutting, and the first thing to go will be one of Life's calling cards: music. This season, there's already been a serious cutback in the number and profile of the songs used, and I can't be the only one that has noticed. If you've ever watched the series online after they've replaced most the music, you know what I'm talking about. As such, there were just two interesting choices (both of which have been replaced in the non-broadcast version,) the first being "Kiss The Sky" from Shawn Lee's Ping Pong Orchestra, which played as Roman's inside man began 'cleaning up' some of the FBI men in his pocket. The other was predictably the final song, Hayden's hauntingly beautiful "More Than Alive". If you've seen the broadcast version, just for an experiment, go and watch that final scene online with the replacement music, and try and tell me it doesn't suffer greatly.

So yeah, if the only way the series lives is for it to cut the music budget (and go on without Garret Dillahunt,) than I'm fine with this being the end. Goodbye Detectives Crews and Reese, we'll miss you. Oh, and good luck working out your new dynamic as partners with Captain Tidwell.

Playlist: Life - Episode 2.21
1. "A New Beginning" - 26 - Roman with Reese
2. "Kiss The Sky" - Shawn Lee's Ping Pong Orchestra - Roman's inside man cleans up
3. "Afterlight" - Clayhill - the exchange
4. "More Than Alive" - Hayden - released, reunited

Previously: It's Who You Are (Episode 2.20)

Wednesday, April 30, 2008

Now Downloading: New Releases 04.29.08

I spent my weekend and Monday taking care of my two small boys, and since that's usually the time I spend absorbing the new releases for the week (and pumping out the weekly Ear on TV bit,) I find myself impossibly behind, so I'm going to keep commentary on this week's haul short and semi-sweet. Highlights this week include the latest from Portishead, Jamie Lidell, Robert Forster, Santogold, Constantines, 65daysofstatic and the stateside release from Sweden's Robyn, which took three years to cross the pond.

Playlist: New Releases 04.29.08



Album: Portishead - Third

Portishead - ThirdSince I didn't get to hear this until release day, I don't feel qualified to comment too much on it, other than to say it shocked the hell out of me, based on my prior experience with the Bristol trip-hop pioneers. Third is more than a departure, as other than Beth Gibbons' voice, there's little at all that's recognizable from their prior releases of over a decade ago. Instead of trip-hop, it's a (very) dissonant rock album, one that's as hard to categorize as a latter day Scott Walker release (come to think of it, his releases also have decade long gaps). Musicians Adrian Utley and Geoff Barrow have said that they wouldn't fall back on any instruments or sounds that appeared on prior albums, and that alone pushes the album to a different place. But the pacing here is also new, with the opening track ("Silence") seeming twice as fast as anything song prior. Opening single "Machine Gun" openly defies radio to play it, with it's industrial staccato and dissonant atmospherics. Where Dummy and Portishead might've lied like place settings at a dinner party, it seems that Third is more content to throw said dinner plates into the hearth. It's guaranteed to make many best of lists at year end, but for me it's too early to say... such a dense and sinister sound demands more time, but after only two days in my ears, it already feels important. (NME, Village Voice, Pop Matters and many more know it to be true.)

Stream "Machine Gun" from band's MySpace page



Album: Jamie Lidell - Jim

Jamie Lidell - JimJamie Lidell's switch from electro/raver to soul singer was one of the more radical style shifts in years, and his latest, Jim, perfectly captures the 60's/70's soul of Stax and Motown. His soulful voice evokes Sam Cooke, Stevie Wonder and even Otis Redding at times, which would be just vocal calisthenics if it weren't for the songwriting to back it up. From the opening handclaps of "Another Day" all the way to the feel good funk of "Hurricane," Jim is the perfect tonic for those ears grown tired of the depressing guitar squall of indie rock (it happens). It's certainly nothing groundbreaking about it (like Portishead's Third,) but it sure feels gooooood.

Free album stream from AOL



More on the radar this week:
Hayden - In Field & Town
Les Savy Fav - After The Balls Drop: 3 AM 1-1-08 NYC
Robert Forster - The Evangelist / "Pandanus" [mp3]
Santogold - Santogold
Constantines - Kensington Heights
Robyn - Robyn
65daysofstatic - The Distant And Mechanised Glow Of Eastern European Dance Parties
Langhorne Slim - Langhorne Slim / "Rebel Side of Heaven" [mp3]
Make Believe - Going to the Bone Church
Estelle - Shine / Free album stream from AOL
The Roots - Rising Down
Dizee Rascal - Maths + English / "Where's Da G's" [mp3]
South - You Are Here / Free album stream from AOL / "Better Things" [mp3]
Firewater - The Golden Hour
Boris - Smile
Madonna - Hard Candy
Awesome Color - Electric Aborigines
Bearsuit - Oh:io
Y-Love - This is Babylon
Lil Mama - VYP - Voice of the Young People / Free album stream from AOL
David Karsten Daniels - Fear of Flying
Nerf Herder - IV
Eli "Paperboy" Reed - Roll With You
Joy Division - The Best Of
REISSUE
Steve Earle - Copper Road


tags: , , , , , ,