Showing posts with label joseph arthur. Show all posts
Showing posts with label joseph arthur. Show all posts

Friday, March 20, 2009

Friday Night Lights - The Giving Tree

"The Giving Tree" was a strong episode, both because and in spite of it's reliance on a number of callbacks to classic FNL moments from earlier this season and the first -- we're still pretending much of season two didn't happen. Thematically, we only have to go back a few episodes ("Keeping up Appearances") where fathers and sons was the gist, and this week it's mostly daughters that get the father's attention.

First daughter up to bat is J.D. (that's right, I called him a daughter,) as the episode begins with him attending a party, no doubt his first since the infamous one a few episodes back ("It Ain't Easy Being J.D. McCoy"). It's here our golden boy gets a glimpse of his father's worst nightmare: A cute redhead named Madison. In a bit of foreshadowing fun, the song playing is "Dita Dimone" by Pop Levi, featuring the refrain "Daddy daddy don't be mean to me / I'm forever hearing Dita's plea." After daddy meets Madison a bit later, the lyrics make a lot more sense, and it's quickly apparent that J.D. is treated more like a daughter that needs protection. Leave it to mommy McCoy to aid and abet young J.D. in the re-securing of his balls.

Another storyline from "It Ain't Easy Being J.D. McCoy," that gets revisited is the one of "Matt and Julie doing it." Despite the lack of visibility over the past few episodes, the lovebirds are apparently still shaking the sheets, so to speak, as we find them clothesless in bed early in the episode, while Joseph Arthur's "Could We Survive" plays in the background. That song begins with the telling lyric: "Hallelujah stop and stare, when will Jesus find us here? Could we survive?" Coach, fresh from doing a little savior work at the jail with Buddy, is indeed going to find them there, and the way the scene was shot was quite wonderful. Shot entirely away from the action, the camera focuses instead on the exterior of Matt's house as we only hear Julie scream and see Coach come storming out, which is really all we need. In dealing with Julie, it's Tammi who naturally ends up taking the reigns, and we're treated to a wonderful sequel to the mother-daughter conversation from season one's classic episode, "I Think We Should Have Sex."

Buddy and Lyla inhabit the final father-daughter relationship explored, and after attempting to portray him in a more positive light earlier this season, he's back to being the old unlovable scamp, losing Lyla's college savings and ending up in jail after a scuffle at the Landing Strip. Exactly how does one cause $30K in damages at a dilapidated strip joint, anyway? The only hint we get that he's willing to recognize he's wrong with Lyla is through the backing music. "Till I Get it Right" by John Doe and the Sadies plays during the first Buddy rant, and the episode ends with him leaving a message to Lyla to the tune of Soulsaver's "Revival." "Forgive what I have done...it means my soul's survival," the song goes, and its use also underscores Tyra's recognition that Landry is more to her than someone she takes advantage of. That ties together the title's implied theme, which Landry brings up in referencing the children's book "The Giving Tree." (And how about Crucifictorious sounding like a real band now? They might be aping old Kings of Leon, but it actually sounded pretty promising.)

I guess there was another playoff game this week as well, right? The game again took a backseat to all that was happening, but what happened on the field did two great things. First was a callback to the troubling referees from season one's "Black Eyes & Broken Hearts" episode, where Coach Taylor turned the other cheek repeatedly, late hit after late hit. Still stinging from the Matt and Julie discovery, Taylor loses his sh*t and his voice, tearing into the referees, backed by one of the most daring music choices the show has had, the joyously angry "adeadenemyalwayssmellsgood" from Future Of The Left. The Welsh band, who rose from the ashes of the great mclusky, does angry very well, and, as FNL has occasionally shown, sometimes a well-timed cathartic release can do a world of good.

Playlist: Friday Night Lights - Episode 3.10
1. "Dita Dimone" - Pop Levi - Madison's party.
2. "Could We Survive" - Joseph Arthur - Matt & Julie talk in bed.
3. "Till I Get It Right" - John Doe and The Sadies - Buddy rants to Eric about his money problems.
4. "The Debtor" - Miles Benjamin Anthony Robinson - Tyra tells Landry she got his band a gig; Matt arrives at the Taylors'
5. "Remember When (B Side)" by The Black Keys - The game starts
6. "Sound Of Madness" by Shinedown - End of the first half
7. "adeadenemyalwayssmellsgood" by Future Of The Left - Coach Taylor leaves the game
8. "To West Texas" - Explosions In The Sky - The game ends
9. "Revival" - Soulsavers - Tyra watches Landry perform; Buddy leaves Lyla a message.

Previously: Man-Hatin' Music (Episode 3.09)

Thursday, September 04, 2008

True Blood: Southern Gothic Hospitality

Alan Ball's Six Feet Under used to start out every episode with a death, with the deceased often haunting the episode. With his latest HBO offering, True Blood, we can dispense with the dying part, as the haunters are already dead -- they're vampires. And with all the Twilight mania going on right now leading up to the film adaptation of that book series, there's never been a better time for TV to get it's vamp back on.

The premise of True Blood is intriguing enough. Vampires, with the help of a new Japanese engineered synthetic blood (Tru Blood) no longer need to feed on humans to survive, and thus are "coming out of the coffin." They're pushing for rights to vote, to own property, and other righting of injustices that are found in the Vampire Rights Amendment being debated on television news (and HBO's Real Time For Bill Maher, one of a few subtle HBO plugs in the episodes I've seen) and in the Senate. That the series takes place in the south (Louisiana) furthers the civil/equal rights angle, which serves as both a strength and a weakness in the two episodes I've seen so far. It's Southern Gothic taken to a more literal extreme, and while it can serve as a powerful metaphor, it can also feel a bit heavy-handed at times, especially when Ball utilizes television reports a bit too much to fill pieces of the back story.

The series is based on Charlaine Harris' Sookie Stackhouse mysteries, and specifically follows the first book, Dead Until Dark for this first season, and is expected to branch off from there. It's similar, in this regard, to Showtime's Dexter, which also boasts a Six Feet Under pedigree (Michael C. Hall). They're both series that attempt to treat incredibly dark subjects with a light hand. In this case, the setting of Louisiana lends itself to some dark humor, with the juxtaposition of hospitality and horror. Inviting someone into your home is both a Southern tradition and a requirement for a vampire to call on a lady. And while the love story between the virginal Sookie (Anna Paquin) and genteel Bill (Stephen Moyer) may have parallels to the romance the teenage girls go gaga for in the Twilight series, this is definitely not for kids. There's a level of violence and gore that exceeds even Dexter, and even a darker sexual element ("fang bangers" are groupies that have sex with vampires).

The music choices, for the most part, are true to the setting of the Louisiana roadhouse that much of the scenes are shot. The Jace Everett song "Bad Things" provides the perfect backdrop for the amazing opening credits, which, much like Dexter, splice together evil and the mundane, displaying the duality of the series. At one point, during an intense scene in the first episode, the music slips into Joseph Arthur's dark "Stumble and Pain," who's lyrics work wonders: Sun down on shady grin, shaking hands on a sinking ship. And even as the opening episode ends on a very dark note, the closing credits brighten the mood a tad with the Fleetwood Mac-ish "Bones" from the country band Little Big Town, warning that your demons "are waiting for the sun to go down."

Ok, perhaps it doesn't brighten the mood that much, but I've invited True Blood into my home, and while my guest isn't as agreeable as I'd initially hoped he would be, he's telling a good yarn, so I'll let him stay for dinner.

True Blood premieres Sunday, September 7, at 9PM on HBO.

Tuesday, April 17, 2007

Now Downloading: New Releases 04.17.07

While there's nothing truly knocking my socks off this week, there's plenty of releases worth wrapping your ears around for some time. There's latest from Joseph Arthur, the UK trio The Noisettes, The Comas and a compilation of covers from various Portland artists called Bridging the Distance, featuring Spoon's Britt Daniel, The Decemberists, Viva Voce, The Thermals and more.

Playlist: New Releases 04.17.07

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Album: Bridging the Distance: a Portland. OR covers compilation

Bridging the DistanceThe Portland nonprofit p:ear is a group that mentors homeless youth, helping them transition into productive adulthood, bridging the void. Bridging The Distance takes that concept and uses covers of classic rock songs to make a metaphorical transition... bridging the past something current. The album features longtime Portland indies The Decemberists ("Think About Me" [Fleetwood Mac]) The Dandy Warhols ("She Sells Sanctuary" [The Cult]) but the best covers here are reserved for the more obscure. Jagged guitar band The Joggers get the highest score for technical difficulty, pulling off Yes' prog-rock classic "Long Distance Runaround," and they even somehow make it sound fun. Meanwhile, Blitzen Trapper takes "Crazy on You" (Heart) and turn it into a lo-fi electro-dance workout. Other highlights include Viva Voce's take on "Eye in the Sky" (Alan Parsons Project) and Britt Daniel reworking "Bring it On Home to Me" (Sam Cooke.)

Playlist: Bridging the Gap - The Originals

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Album: The Noisettes - What's the Time Mr. Wolf

The Noisettes - What's the Time Mr. WolfAs we watch The Yeah Yeah Yeah's Karen O transition from punk yel-princess to smooth songstress, we can thank our lucky stars that The Noisettes' lead singer Shingai Shoniwa is here to carry forth that dropped crown. Shoniwa can go from a commanding scream to a seductive whisper in a heartbeat, and commands your attention from the start. What's the Time Mr. Wolf starts with the knockout 1-2 punch of "Don't Give Up" and "Scratch Your Name," and it's hard not to root for this trio after that exercise. This debut is far more diverse then that though - garage, jazz, 70's punk to soul, are all touched upon sometimes in the course of a song (the great "Sister Rosetta.") It's a hard pace to keep up, and there's a bit of a letdown towards the end of the album, but it still a tremendous first outing.

Free AOL album stream

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Album: Joseph Arthur - Let's Just Be

Joseph Arthur's latest has him stretching out in a big rubber band, The Lonely Astronauts. It's a departure in that it's Arthur letting loose and having fun, but for every good turn ("Diamond Ring") there's a WTF studio wankery that follows (the first minute of the following song, "Good Life" is a good example.) A great song like "Chicago" is followed by the leather-pants adorned "Cockteeze" which is followed by the 20-minute exercise in futility that is "Lonely Astronaut." It's a throwaway song that falls apart at 6 minutes and then degenerates into a bad joke without any payoff, and that's perhaps the album's biggest crime.

Free AOL album stream

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More going (or already in) the Sansa
Priestbird - In Your Time
The Comas - Spells
Dolly Varden - The Panic Bell
Superdrag - Changin' the Tires on the Road to Ruin
Nine Inch Nails - Year Zero
Bebel Gilberto - Momento
Richard X Heyman - Actual Sighs

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Monday, April 09, 2007

Ear on TV: Week of April 9

This week's stellar lineup includes performances from several early album of the year contenders. First in line is LCD Soundsystem (aka James Murphy,) who's album Sound of Silver is garnering a ridiculous amount of critical praise and makes an appearance on Letterman Wednesday night. Murphy, a former punk drummer, mixes killer dance beats, lyrical wit and Brian Eno (David Bowie, Talking Heads) sound sensibilities for a taste sensation that's equally enjoyable in the club as it is in your headphones. I already called it my album of the year, but there's still time to be proven wrong.

Another artist raking in the acclaim is multi-instrumentalist Andrew Bird, and he'll be making his late night tv debut on Letterman as well (Tuesday night.) His album Armchair Apocrypha is full of off-kilter pop, haunting beauty, and some of the best whistling you'll ever hear on record. The third 'album of the year' nominee this week goes to the Athen, Georgia band Of Montreal, who's album Hissing Fauna, Are You The Destroyer? is both a mouthful to say and hear. Frontman Kevin Barnes has packed this release with so much, it immediately requires repeat listens to fully absorb all of Barnes' manic musings. They make their network television debut Thursday night on Conan, and Barnes is bound to do something crazy for the live cameras.

Finally, the prolific Joseph Arthur debuts his latest band, The Lonely Astronauts on Conan Friday night. The new album Let's Just Be is due to hit shelves next week, and it's a departure for Arthur in that it's more of a rollicking good time reminiscent of The Rolling Stones of old (via Exile On Mainstreet.)

Playlist: Picks for the week of April 9
Monday, April 9
CBS: Late Late Show With Craig Ferguson: Paul Wall
Tuesday, April 10
CBS: Late Show With David Letterman: Andrew Bird
NBC: Late Night With Conan O'Brien: Cold War Kids
NBC: Last Call With Carson Daly: Scanners
Wednesday, April 11
CBS: Late Show With David Letterman: LCD Soundsystem
NBC: The Tonight Show with Jay Leno: Rickie Lee Jones
NBC: Last Call With Carson Daly: Young Buck
Thursday, April 12
CBS: Late Late Show With Craig Ferguson: k-os
NBC: Late Night With Conan O'Brien: Of Montreal
Friday, April 13
ABC: Jimmy Kimmel Live: Rodrigo y Gabriela
CBS: Late Late Show With Craig Ferguson: Cold War Kids
NBC: The Tonight Show with Jay Leno: The Shins
NBC: Late Night With Conan O'Brien: Joseph Arthur
NBC: Last Call With Carson Daly: Paul Wall
IFC: The Henry Rollins Show: Peaches
Saturday, April 14
PBS: Austin City Limits: John Fogerty

More: LCD Soundsystem playing "Daft Punk is Playing at My House" on Letterman
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