It's the first week since March that we've had so many highly anticipated releases for folks like me to savor. Well, unfortunately, it's not all that rosy... aside from
M.I.A.'s excellent sophomore release, I'm afraid the new albums from
The New Pornographers,
Rilo Kiley,
Architecture in Helsinki and
Imperial Teen all have some degree of disappointment (however minor.) Meanwhile there's a whole lot more interesting releases to check out that I haven't gotten to yet (or just started,) like
Talib Kweli,
Caribou,
Earlimart,
Kinski,
Over the Rhine,
Mekons,
Minus the Bear and many more. Now get to listening!
Playlist:
New Releases 08.21.07Spike Jonze recently spent a Saturday with Maya (VIDEO)
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Album:
M.I.A. - Kala
When a debut is as fresh and creates as much buzz as
M.I.A.'s Arular did over two years ago, you expect there to be at least some disappointment in the follow-up, but with
Kala, M.I.A. (Maya Arulpragasam) solidifies herself as an international force to be reckoned with. While
Arular is named for her father, a reported rebel in Sri Lanka,
Kala is named for her mother, a seamstress by trade. Appropriately, album is a diverse collection of songs that are stitched together by Arulpragasam's artistic seamstressing work. The oceans and borders that she bridges here aren't just metaphorical, but a literal obstacle that
Kala had to overcome. It was supposed to be, in part, a joint venture with
Timbaland, but when the US denied her a visa and entry back into the US last year, Arulpragasam bounced between India, Jamaica, Trinidad and Australia with portable recording gear in hand. As a result, the tribal Indian beats anchor two of the best songs (
"Bird Flu" and
"Boyz") and
"Jimmy" is an 80's Bollywood disco cover (
"Jimmy Adja" from Disco Dancer.) Meanwhile, this time around she's referencing classic alternative songs all over the place. The opening track (
"Bamboo Banga") first pulls from
The Modern Lovers' "Roadrunner" ("with the radio on.") The later,
"$20" leads in another couple sacred cows, using the easily recognized chord progression from
New Order's "Blue Monday" and mixing in a couple lines from
Pixies' "Where is My Mind." Finally, on
"Paper Planes," she samples
The Clash's "Straight to Hell," which seems a subtle message to US Immigration and Homeland Security for messing with Arulpragasam. She's counterfeiting visa's now... don't they know that M.I.A. is beyond borders?
Free album stream from AOL-----------------------------
Album:
The New Pornographers - Challengers
I already wrote a bit yesterday about where NP's at now (leaning more towards the art folk/rock of Dan Bejar's Destroyer,) but I haven't really had enough time with the release to know where it stands in their cannon. My initial feeling is because they're not a band in the normal sense (more in the 'super' sense) that much of the stretching out of the band's sound, while admirable, doesn't reach the heights it aims for. The bouncy power-pop sound that Carl Newman deftly employed on prior releases isn't even hinted at until halfway through
Challengers (with the great
"All The Things That Go To Make Heaven And Earth",) and then again only later on the equally grand
"Mutiny, I Promise You." Meanwhile, Dan Bejar (
Destroyer) nearly steals the show again with his requisite three song contribution, especially on
"Myriad Harbour." (Forget that "The Spirit Of Giving" sounds like a Destroyer cover, you could argue that all of
Destroyer's
Rubies was like Bejar covering himself.) Anyway, it's a roundabout way of saying I like it, but not as much as prior releases. Humbuggery.
Free album stream from AOL-----------------------------
Album:
Imperial Teen - The Hair the TV the Baby and the Band
Imperial Teen have always embodied that 90's indie pop sound that they forged with the song "Yoo Hoo" (from their '96 debut
Seasick) and have never strayed from it since. It's now been five years since their last album (
On) and again, nothing's changed - and that is good.
The Hair the TV the Baby and the Band, in title, explains what the band has been doing during their hiatus, and while the sound hasn't changed, as the title suggests, life has happened... and the lyrics reflect it. Well, some do anyway... and some are just fun, like the bounce to the infectious
"Sweet Potato," the B-52 party of
"Shim Sham" and the Imperial Teen archetype sound of
"Do it Better." I just hope they don't wait too long for their next album, or the title might be something like
The Empty Nest the Goiter the Lump and the Nursing Home.
Free album stream from AOL-----------------------------
Album:
Rilo Kiley - Under the Blacklight
LA's Rilow Kiley have always seemed to release an album appropriate to their surroundings. Their first album (
Take Offs and Landings) was on Seattle's Barsuk label, and was appropriately a little album that seemed to achieve big things. For their second (
The Execution of All Things,) they moved out to Nebraska's Saddle Creek to distribute their red state friendly alt-country sound. By 2004, Rilo Kiley was on Warner Bros., creating their own imprint (Brute/Beaute Records,) and
More Adventurous was appropriately their foray into the big leagues, and was, well... more adventurous. So now that their on Warner Bros. proper, the ante has been upped, and thus you'd think the radio-friendly sounds of
Under the Black Light whouldn't surprise anyone given RK's trajectory. But just who would ever predict that RK would write 2007's strip club song of the year in
"The Moneymaker"? The songs here are 70's (
and 80's) AM radio friendly, delivered with out hint of irony, and shed their blacklight on the streets of Los Angeles, the long time home to the former child actors and co-founders Jenny Lewis and Blake Sennett. It's Lewis' band now, it seems, and like with her solo debut from last year (
Rabbit Fur Coat,) the quirkiness is nearly all gone.
Under the Blacklight is what it is, which isn't groundbreaking, but very appropriate for their home on Warner.
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Album:
Architecture in Helsinki - Places Like This
AIH sure seems to like to change their sound album to album... now they've taken on Junior Senior's dance persona, albeit without all that makes that duo so endearing.
Am I the only one that finds this one a bit grating? It's not horrible, mind you, just annoying as a follow-up to their amazing 2005 release
In Case We Die.
Free album stream from AOL-----------------------------
Wished I could talk about, haven't heard (not in Rhapsody:)
Jeremy Enigk - The Missing Link-----------------------------
More going (or already in) the Sansa
Earlimart - Mentor Tormentor (
Free album stream from AOL)
Caribou - Andorra (
Free album stream from AOL)
Kinski - Down Below It's Chaos (
Free album stream from AOL)
Mekons - NaturalMinus the Bear - Planet of IceJosh Ritter - The Historical Conquests of Josh RitterAnimal Collective - Peacebone EPNumbers - Now You Are ThisThe Golden Dogs - Big Eye Little EyeTalib Kweli - EardrumOver the Rhine - Trumpet ChildLadybiRds - Regional Community TheaterThe Mendoza Line - 30 Year LowLindsay Anderson - IfLuke Temple - SnowbeastCartel - CartelForeign Born - On The Wing NowSwizz Beatz - One Man Band Mantags: music, album review, mia, new pornographers, imperial teen, rilo kiley, architecture in helsinki, indie rock, new releases, rhapsody
Legend has it that when Spanish explorer Juan Ponce de Leon set out for the famed Fountain of Youth, he was 40 years old and searching to find a cure for his sexual impotence. On this Nip/Tuck, Sean is making a similar journey at age 42, but instead of sailing for Bimini, Sean is diving into that other legendary utopia, Eden (AnnaLynne McCord). Only this one isn't a garden -- in fact it's evil and barely legal.
Another route to the Garden of Eden lies in Dante's The Divine Comedy, where first you have to go through Dante's Inferno, and his outlined nine circles of hell. Aidan with his 'Dante's Infernal party' -- backed by Joan Jett's "Do You Want To Touch Me?" -- serves as a sort of Virgil for Sean's Dante as he shows him through his own version of hell, Hollywood style. Meanwhile the circles of hell seem represented here, if out of order.
The First Circle is the virtuous pagans, which where I party out most of the time, so let's skip it. Second Circle is those overcome by lust -- Sean takes this one on in the opening scene with Eden, done to Lil' Mama's "Lip Gloss." Third Circle is glutton, which could be Dr. Joshua Lee's daughter Wendy, why else make her fat and allude to it a couple times? Fourth Circle is concern for material goods, which is beautifully represented by the scenes of Kimber shoplifting to Jenny Lewis' "Rabbit Fur Coat." Fifth Circle is sloth, and I'm pinning that on Matt in his dealing with Kimber (and maybe Olivia cowering in the face of their burglar).
Now we descend to the lower part of hell, where the Sixth Circle has heretics trapped in a burning tomb. Seeing Matt lit on fire from his botched Meth cooking attempt fits perfectly here, even more so that it's set to Bonnie Tyler's "Total Eclipse of the Heart." The Seventh Circle houses the violent, and Julia's kidnapper fits in here, especially when you notice the song playing on the radio -- Roy Acuff's "A Sinner's Death (I'm Dying)." The Eighth circle is the fraudulent, and who better to represent that then Eden herself, and "The Moneymaker" by Rilo Kiley (with Jenny Lewis again) makes for a nice theme song for her ("...she wants to overtake you / you know you wanna make her").
