Showing posts with label extras. Show all posts
Showing posts with label extras. Show all posts

Friday, December 28, 2007

TV's Top Music Moments of 2007

After a popular series finale fades -- or cuts -- to black, nowadays there's a mad dash to find the song that ushered out the show. Download stats the next day go through the roof, and sometimes that recording will make a mark on Billboard charts. This year, that scenario happened time and time again, even bringing a group long since out of favor back into the limelight. Not all the moments I have below followed this path, but they all stuck with me, long after the credits rolled.

10. Total Eclipse of Meth Lab Matt [video]
Nip/Tuck - Ep 5.07, Song: "Total Eclipse of the Heart" - Bonnie Tyler
Miserable Matt pulls a Richard Pryor, setting himself on fire trying to cook up some drugs (meth in this case) in his apartment. After catching on fire, he manages to do a swan dive from the second floor into his complex's pool. The usual histrionics of Matt's scenes are amusingly sent over the top by using this Bonnie Tyler classic. Songwriter Jim Steinman -- the writer behind Meatloaf -- has a gift for over the top.

9. Mad Men Don't Think Twice
Mad Men Ep1.13, Song: "Don't Think Twice, It's Alright" - Bob Dylan
A fitting end to a nearly perfect first season of television. Dylan wrote the song as "a statement that maybe you can say to make yourself feel better," a consolation for your lover leaving you. As Don sits on the steps, we can imagine him having this argument in his head thinking about Betty and kids having left him -- this after finally realizing just how much he needs them.

8. Say Goodbye to the O.C., Bitch [video]
The O.C. Ep4.16, Song: "Life Is A Song" - Patrick Park
Credit Josh Schwartz for not playing the end of the series for tears, instead using the music for for a more simple montage of events that lead up to the series coming full circle. A grown and successful Ryan pays it forward by taking in a trouble youth. Cue whistling.

7. Life is Good [video] / [video] / [video]
Life Ep1.11, Songs: "Who By Fire" - Leonard Cohen, "Down Boy" - Yeah Yeah Yeahs, "Finally" - The Frames
The freshman NBC series was on a serious roll to end the year. Not only did it get picked up, but the final few episodes were it's strongest, especially musically. It seemed like someone beefed up the budget when it became apparent that the show had legs, and the work that was done with music in the final episode was some of the most inspired placement I've seen all year.

6. The End to a 'Series of Dreams' [video]
John From Cincinnati Ep1.10, Song: "Series of Dreams" - Bob Dylan
JFC proved to be a frustrating series -- moments of brilliance were followed by unexplained madness. David Milch's brilliant use of language couldn't save the series from being known as 'the show that killed Deadwood.' I still get a bit emotional watching the beauty of the opening credits, and the opening to the final episode, where John and Shaunie surf in from God knows where to this Bob Dylan song. With the series already dead, it felt like a wasted moment of brilliance... a beautiful bridge to nowhere.

5. Prince in Purple (and freezing) Rain [video]
Super Bowl XLI Half-Time Show - Playlist: Prince's Super Bowl Set List
After several disappointing half-time shows in a row, Prince steps in and tears the place apart. His royal badness owned the stage wearing heels in freezing rain, and in need of hip-replacement surgery! His cover of Foo Fighter's "The Best of You" was amazing -- I still don't understand why it's a single.

4. Morning Breaks for The Darling Mermaids [video]
Pushing Daisies - Ep 1.07, Song: "Morning Has Broken" - Cat Stevens (sung by Ellen Greene)
Ok, if you haven't seen this one, then it probably won't seem that special. But when Aunt Vivian breaks into the Cat Stevens classic, all the perfectly orchestrated silliness that preceded in the episode helped set this up to feel more then just a tug at the heart strings. The Aunts finally break from their depression and The Darling Mermaids are back in the pool, synchronized beautifully to the music. For me, this is the point where the series went from good to positively great.

3. David Bowie is Having a Laugh[video]
Extras Ep2.02, Song: "Little Fat Man" - David Bowie
Ricky Gervais supplied the lyrics for David Bowie, reportedly suggesting that he try and do something musically in the vein of "Life on Mars" and the result is pure magic. Everyone sing along, 'see his pot-nosed face...'

2. Bob Dylan is a Cylon [video]
Battlestar Galactica Ep3.20, Song: "All Along the Watchtower" - Bear McCreary w/ Bt4
A Bob Dylan song acts as a catalyst that triggers beloved characters on the Galactica ship to realize that they are in fact cylons. BSG composer Bear McCreary says about the use of the song in BSG's universe: "Perhaps this unknown performer and Dylan pulled inspiration from a common, ethereal source." I guess that's related to the infinite monkey theorem, but Dylan still might think about retaining the services of Romo Lampkin to sue said unknown performer over trans-universe copyright infringement.

1. The Sopranos Resurrects Journey's Career [video]
The Sopranos Ep6.21, Song: "Don't Stop Believin'" - Journey
Possibly the cultural event of the year, it also sent Journey back up the charts for the first time in twenty years. The moment when creator David Chase cuts off the song with singer Steve Perry singing "Don't Stop..." and the screen went black still has folks talking about it. The choice of the song was partly for the opportunity to sync up 'Don't Stop' with the cut, but it's also simply a song from Tony and Carmela's past, telling nothing about his future. He's alive, though, ok? So is Journey, for that matter, with a new album coming out in 2008 (sans Steve Perry).

Monday, December 17, 2007

Fame's fickle finger

Like his series The Office before it, Ricky Gervais' Extras ran for just two short seasons, and is now followed by this Christmas-oriented sequel might be the most poignant (and ornery) thing he's ever done. Picking up where season two left off, Andy's frustrated with his good fortune and finds even more embarrassing ways to sabatoge his career, including an untimely girdle break, and insulting his in-studio audience while the end of his series, When the Whistle Blows.

Gervais' first love has always been music (see Seona Dancing,) but he's resisted using popular music to underscore any of his scenes. Oh, he's picked up a guitar himself on The Office, and even had both David Bowie and Chris Martin (Coldplay) make guest appearances on Extras, but he's refrained from using as dramatic score. Not so with this finale, as he uses several songs to punctuate dramatic moments, nearly all with Maggie (Ashley Jensen, better known for Ugly Betty). For scenes of Maggie's depression following her decision to give up acting, Kate Bush's "This Woman's Work" does the trick. And, as if to reference a John Hughes' movie, she shuffles along at one point to The Smiths' "Please, Please Let Me Get What I Want."

Meanwhile, since it's a Christmas special, they use the beautiful bells of Sufjan Stevens' "Angels We Have Heard on High" to tie many of the scenes together and keep at least a modicum of Christmas spirit in the middle of Gervais' Scrooge-like turns.

Extras has, from the start, attracted a wealth of guest stars, and this special is no exception with hilarious turns from Clive Owen, having a laugh at movie star arrogance; George Michael, hilariously revisiting his bathroom arrest; and Gordon Ramsey, who uses his special talent of arguing to get a laugh in the name of satire. But, really, the purpose of the whole special is to deliver his Howard Beale-like 'Mad as Hell' diatribe pointing his finger at all involved in playing the fickle game of celebrity, including himself:
The Victorian freak show never went away. Now it’s called ‘Big Brother’ or ‘American Idol,’ where in the preliminary rounds we wheel out the bewildered to be sniggered at by multimillionaires....

...to the networks, you can’t wash your hands of this. You can’t keep going, ‘Oh, it’s exploitation, but it’s what the public wants.’ No.

And fuck you for watching this at home. Shame on you. And shame on me. I’m the worst of all. Cause I’m one of these people that goes, ‘I’m an entertainer, it’s in my blood.’ Yeah, it’s in my blood because a real job’s too hard.
It's a great moment that's spoiled somewhat by the Hollywood ending of Andy riding off into the anonymous sunset with Maggie. Touching, but just the sort of ending Andy might question.

Playlist: Extras Finale Special
1. "Angels We Have Heard on High" - Sufjan Stevens - Used in department store opening and several segues between scenes throughout
2. "This Woman's Work" - Kate Bush - Maggie's decision to give up acting, washing dishes
3. "Please, Please, Please, Let Me Get What I Want" - The Smiths - Maggie's further despare
4. "Tea For The Tillerman" - Cat Stevens - Theme credits

Previously: Chris Martin's Having a Laugh (Ep 2.04), Bowie's Little Fat Man (Ep 2.02)

Monday, February 05, 2007

Gwyneth's making drumsticks

While not as hilarious as David Bowie's earlier appearance on Ricky Gervais' Extras, the musical turn from Coldplay's Chris Martin on last night's episode (already aired months ago in the UK - Stereogum) was a fine job of Martin "having a laugh" at himself.

While shooting a PSA for drinking water in third world countries, Martin complains:

Can we get on with this? I've gotta do AIDS and Alzheimer's and land mines this afternoon, and I wanna get back for Deal or No Deal.
Plus, Gwyneth's making drumsticks.
And this is after trying to get the agency shooting the spot to promote Coldplay's new Greatest Hits album coming out in the near fictional future (see video.) But some of the real fun comes later when Martin agrees (insists) to appear on the Andy Millman (Gervais) comedy When the Whistle Blows, and Martin sings "Fix You" for the factory employees because their radio stopped working. What are you doing here in a factory in Wigan? It's mental! Apparently trying to sell Coldplay records. Later on, Chris Martin sings the theme song (Cat Stevens' "Tea for the Tillerman") and after the credits, sings "Fix You" again as a duet with Gervais as Andy as When the Whistle Blows' Mr. Stokes.


Ricky Gervais' Extras continues to be hilarious in spite of the fact that much of the context is beyond us here in the states. I consider myself a bit of a comedic anglophile, so seeing Black Adder II's Stephen Fry sending himself up as a pompous BAFTA winner was spot on, but I (like the rest of the country) am pretty unfamiliar with comedian Ronnie Corbett and actor Richard Briers, both of who's appearances seem to hinge on being part of the viewers cultural vocabulary. That being said, there was still plenty of subtle things that had me laughing, like a BAFTA award being given out for a program titled The Women Who Gave Birth to Herself. The fact that creators Gervais and Stephen Merchant don't bother to translate for US viewers, seems to shows they're not interested in letting their creations end up like Andy Millman's When The Whistle Blows. Either that, or they'll franchise the series to other countries like they did with The Office.

Previously: Bowie's Little Fat Man (Extras - Episode 2.02)

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Monday, January 22, 2007

Little fat man who sold his soul

While we're six months behind the UK on this (Stereogum,) David Bowie's appearance on Extras last night has to be one of the funniest rock cameo's in television history.

Bowie writes an impromptu song called "Little Fat Man," after hearing Andy Millman (Ricky Gervais) complain about the series (When the Whistle Blows)he sold to the BBC.

Little fat man who sold his soul,
Little fat man who sold his dream...

Pathetic little fat man,
No one's bloody laughing,
The clown that no one laugh's at,
They all just wish he'd die.
He's so depressed at being hated,
Fatso takes his own life,
He blows his stupid brains out,
But the twat would probably miss.

He sold his soul for a shot at fame,
Catchphrase and wig and the jokes are lame,
He's got no style, he's got no grace,
He's banal and facile, he's a fat waste of space

See his pug-nosed face...Pug, pug, pug, pug,
See his pug-nosed face...Pug, pug, pug, pug,
See his pug-nosed face...Pug, pug, pug, pug,
The little fat man with the pug-nosed face, Pug, pug, pug, pug,
Little fat man, pug-nosed face, Pug, pug, pug, pug,
He's a little fat pug-nosed face, Pug, pug, pug, pug.

Bowie is most certainly having a laugh.

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